A high-backed settle — sometimes with storage space beneath the seat or a cupboard in the back — was a familiar sight on either side of the hearth in farmhouse kitchens and inns from the 16th to 19th centuries. A settle table is a wooden settle with a hinged back that folds over to rest on the arms and form a table. Soft-paste porcelain was manufactured exclusively from c until the discovery of local china clay deposits enabled true porcelain to be produced from Louis XV granted the factory a monopoly to produce porcelain in the meissen style, c , and even after this was relaxed, no other French company was allowed to produce porcelain with coloured ground or gilding. It was not in common use until the mid- 19thC and was made until modern times when periscopic types were used on aircraft. In 16thC sgraffito ware from the Bologna area of Italy, for example, designs were incised in the white slip coating to reveal a red clay ground. The technique has been much used throughout Europe since medieval times, particularly on country pottery from south-west Britain. It was a feature of Barnstaple pottery throughout the 18th and 19th centuries — and was often inscribed to commemorate special events such as harvests and christenings. Royal Doulton artist Hannah Barlow has become one of the most collectable sgraffito artists.
Antique Detective: Identifying Chinese porcelains by colors, motifs and marks
Enter your search terms Chinese Porcelains The shape and the decorative motifs of this finely potted stem cup are characteristic of the late fifteenth and early sixteenth centuries. The interior is decorated with two incised dragons chasing flaming pearls around the cavetto and covered with colorless glaze. At the center is an incised double circle containing three stylized ruyi-shaped clouds. The exterior has two five-clawed dragons slip-trailed onto the surface, chasing flaming pearls among clouds.
Dating to the Qianlong period, second half of the 18thC. A very beautiful antique 18thC Chinese porcelain bowl. Lovely clean condition with a just a tiny rim flake and if you turn it in the light there are two or three very very light short stress lines to the rim, still rings like a bell if you ping it.
Marks are incised or cut into the wet clay, impressed with a tool into the wet clay or stamped with a machine and ink on dry clay. Marks may also be created in the mold — and these are the most permanent. Paper labels are the least permanent marks, and many companies used a paper label and another method for marking wares. Debolt’s Dictionary of American Pottery Marks is another good resource for identifying whitewareCeramics that are white or off-white, often high-fired, including vitreous china and ironstone, and usually used for dinnerware or bathroom sets.
Turn of the century and earlier homes had no running water. They used a pitcher and bowl set, a chamber pot, a toothbrush cup and assorted pieces in the bath area. Please don’t copy our images but use them for free to help with identification of your pottery. We’re emphasizing American pottery marks, but included a few Canadian pottery marks as well. Not all makers have a mark here, or a good one.
We’ll update as able. Note that some of the marks have been enhanced for clarity — the original, unedited marks appear on linked photos.
Qing dynasty; Kangxi Production date: Jingdezhen Three porcelain cups with curving sides, slightly flared rim, and two shallow loop handles. The cups have pale yellow enamel on the exterior, plain white glaze on the interior. There is a narrow band of incised dragons on the exterior
The bumpy feel on the base of this porcelain vase is called “orange peel” and is indicative of late 18th-century Chinese export porcelain. The blue on this glaze indicates it was made in Japan.
When Dutch traders began importing Chinese porcelain to Europe in the 17th century the late Ming period , no European maker had yet been able to produce such fine-quality wares and there was a huge demand for Chinese porcelain — as well as a scramble to find out how it was made. Nearly all porcelain was blue and white until c. It was used to decorate export wares from the Kangxi period to The style was often copied in the 19th century, particularly by the French maker Samson.
Crackling a fine network of cracks in the enamel colours is a good sign that the piece is authentic. Provincial export pieces of lesser quality, or slightly chipped or cracked wares, can be surprisingly affordable. Ming pieces can be identified by: This factory is rightly famous — being the first in Europe to discover hard-paste porcelain and because of the high quality of its products — but figures from other factories are available too.
Large unmarked Chinese Vase
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Find this Pin and more on Antique furniture and miscellaneous facts by Amber Rae. Chinese Porcelain marks – Pottery marks – History of porcelain and pottery – digital antiques books Porcelain and Ceramics Dating swedish art glass Porcelain Marks & More, – Buscar con Google See more.
Antique Chinese Famille Rose Porcelain Chinese famille-rose porcelain refers to Chinese porcelain decorated with predominantly pink coloured enamel, made from colloidal gold, which was first used in the late Kangxi period. There are various theories as to how this enamel came to be used in China, one suggestion is that it was invented by Andreas Cassius of Leyden in the 17th century and found its way to China through the Jesuits, possibly by courtesy of Guiseppe Castiglione. However, I think it is more likely that the introduction of this enamel was the result of the Jesuits being aware of its use by European enamellers at Limoges or some of the German factories where the rose coloured enamel on copper had been in use prior to its discovery by Andreas Cassius.
Possibly it was first used on Canton enamel. The resulting glaze enhanced the effect of the coloured enamels. On famille-rose porcelain made at Jingdezhen This factory was restarted in after its destruction during the Qing defeat of the Ming earlier in the century the enamel was not initially as clean and translucent as it quickly became in the Yongzheng period when it reached its qualitative peak.
Coalport Porcelain & Dating Coalport Marks
Snap Hello, you asked about “Periods”. Look at left for “History Timeline” which goes up to , end of Qing Dynasty. After that up to was Republic Period. Some very good quality porcelains were made in late Qing Dynasty and early Republic periods, including imitations of 18th century porcelain. Also very many not so good quality.
Identifying and dating Capodimonte porcelain can be somewhat confusing until you understand the history of the Royal Factory in Naples, Italy and see examples of the different types of wares made there. Knowing which marks were used during different time periods also helps to date Capodimonte porcelain .
Products displayed in these tables are not for sale unless otherwise stated. They are included here merely for informational purposes and as examples of items on which the marks are found. Any photographs or other information on this website may not be copied or used by others without our prior permission. Viewer contributions are acknowledged accordingly and are also protected under our copyright notice and may not be copied or used by others without our permission.
We welcome and appreciate your submissions. Please be sure to tell us how you would like to be acknowledged for your contributions — by full name or by initials only, or even anonymous, although we do prefer first and last names. We also like to know your general location such as city, state, country, region, etc. We will honor your wishes and appreciate your help. In business from under the name Abdingdon Sanitary Manufacturing Company, making plumbing fixtures.
Melting glaciers in northern Italy reveal corpses of WW1 soldiers
Email Print Every collector knows that the quickest way to identify a piece of pottery or porcelain is to identify the mark, but sometimes it’s unreliable because marks are often forged and changed. This is a listing of the better-known marks and backstamps and enough information so that you can learn more about your porcelains. Research and experience will tell you if the color, texture, weight, design, or general “feel” of the piece is right.
This will help you identify the mark.
Pottery Marks Explained. Site Search. Whether its English pottery marks or German porcelain marks, Japanese vintage backstamps or Chinese seal marks, the abundance of unknown branding logos sometimes can seem like a frighteningly huge subject to tackle.
Unfortunately, we are not experts, but we always turn to a wonderful book by someone who is for our information. Joan Van Patten has written many books on collecting antique Nippon porcelain, and she has compiled known dates for certain backstamps. We are sharing a small list here with pictures of the ones we have come across in our Nippon journeys. We hope this helps those out there looking for this information quickly. We cannot stress enough that this is NOT a complete list.
If you know any dates for a backstamp not shown here, feel free to leave the information in the comments.